Contact Us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right. 

New York, NY

The Ensemblist is an inside look at the experience of being a Broadway performer- from the first rehearsal through performing eight shows a week and beyond. Whether you’re an experienced theatre professional or a passionate fan, The Ensemblist will give you the opportunity to get to know new performers and the great work they do onstage, while also shedding light on some of the hidden innerworkings of the Broadway experience. Created and hosted by Mo Brady (The Addams Family, SMASH) and Nikka Graff Lanzarone (Chicago, Women on the Verge of a Nervous Breakdown), The Ensemblist is the only podcast that shows you Broadway from the inside out. 


"Welcome to Swing Life, Kevin!"

Angela Tricarico

by Kevin Raponey

Kevin Raponey

Kevin Raponey

“Kevin! Pilar just twisted her ankle! The Judge track is going to jump into Pilar’s track but the Female Swing is already on. Can you swing on for the Female Judge track for Act 2!?” - Stage Manager of the National Tour of Legally Blonde The Musical.

Welcome to Swing Life, Kevin!

Nine years later, in the men’s dressing room of the Tenth Anniversary Production of Rock Of Ages, my notes are open as I run through one of the seven tracks that I cover. This show is by far the most difficult show I have gotten to Swing because it is a smaller company and everyone is very featured but the four shows before this one have set me up for success. I have learned that knowing the show in and out is to everyone’s advantage and that literally anything can happen at any time.

Some examples of some “Super Swing Moments” in my career have been in the national touring production of A Chorus Line when I went on last minute for a role that I didn’t cover without a rehearsal. In Kiss Me, Kate at Shakespeare Theatre Company, I went into a final full rehearsal run through because a cast member missed his train back to Washington D.C. with no rehearsal. In West Side Story at Paper Mill Playhouse, I went on during Tech for a Shark Track because he missed the bus from Manhattan to the theatre and most recently at Rock Of Ages, just last week, I went on as the second cover for a principal role I didn’t yet get a put-in rehearsal for with only two hours notice before show time.

The life of a Swing is a stressful one, but a rewarding one.

Kevin Raponey

Kevin Raponey

As a Swing, your Dance Captain is your coach. Just like in sports, you listen to your coach so that you will win the game. They guide you to be a champion. Understudy rehearsals at Rock Of Ages happen every week with stage management, the Musical Director and the Dance Captain to make sure that you are as ready as possible in case of an injury or sickness within your company. This doesn’t always happen when you are a Swing on the road. The challenging thing when being a Swing on a national touring production is that there isn’t a lot of time to have rehearsals. You travel from city to city, sometimes every week. You are expected to be able to jump in at any time without having a full put- in. Those experiences have set me up for success here at Rock Of Ages and I am thankful for the times when my companies “shoved with love” and cheered me on as I jumped into the show.

I will continue to take opportunities to Swing a show because not everyone has the mind for it and not many actors want to do it. I love my job. I love sitting in the audience each night, studying my tracks and cheering them on during curtain call. It gives me joy to watch the show as a whole succeed day after day and when I do have the opportunity to be a part of the show, it is that much sweeter!